Saturday, 12 July 2014

Owl: An Update

It's been a little while since any updates as I've been sorting out a few loose ends. Firstly, I've finished up the modelling I need for the animation. At most I'll probably end up using 14 models, so that leaves a few spare. It's always good to have too many than too few and I can also squeeze in a couple more if needed, but honestly, there aren't too many more sketches which will translate well for use in 3D.




Following this I've been doing material tests as all the previous lighting and materials have been placeholder. My aim is to give the models an otherworldly, mercury-like quality which can work alongside the infrared photographs.



Eventually looking something like this if you subtract the spheres and replace them with the models above: 


The animatic is 95% complete. This has been a bit of a thorn in my side, but all the main cuts are now in place and there's a definite structure to the way the animation plays out. At this point I can just drop in sequences and not have to worry too much, which is always a good feeling.


I haven't found a reasonably quick but convincing method of making foliage move, but I have a good method of giving clouds some subtle movement. Overall, it might be enough considering the longest shot in the whole animation is three seconds. 

I've noticed in films which use still photographs there's a slight 'jitter' where the film frames are fractionally moving side to side and up and down. This isn't a shakey-cam effect, but an actual property of the film transfer. You can see it quite dramatically in La Jetee. Playing around in After Effects and Premier Pro it becomes clear if the image stays perfectly still, then it ends up looking like a Powerpoint slideshow. Without this jittering, the frame looks far too clean and certainly not like film would normally look. I'll be applying a very subtle jitter in post. You can see the cloud effect and jitter in the video below:


That's it for now. From here on out, it's all about the making of the final animation and I apologise if updates relating to this project aren't as regular as they usually are. At the end though, there will be a brand new short film (of some sort) to enjoy. 

Please stay tuned! 

Wednesday, 25 June 2014

Owl: Infrared Photography Part 10

The last infrared for a while. I feel like I've probably got enough, but won't know for sure until I starting piecing together the animation sequences.



(One proven fact. Sheep turds do not reflect much infrared light. Fascinating.)



Tuesday, 24 June 2014

Owl: Ink Animation Tests

These worked out better than the marker pens, and also much more cost effective.



Monday, 23 June 2014

Owl: Short Animation Tests Using Marker Pens

Owl is going to include some short hand-painted animated sequences. These tests were done using marker pens, but I won't be continuing down this route, mostly because they ate up marker pens like nobody's buisness, and quite frankly, I'm not made of marker pens! However, I think can achieve as interesting effect and twice the mess using ink on paper instead. Ink on film may also be an option in the future.



Owl: Editing Progress

Over the last month or so, I've been chipping away at the animatic using placeholder video to establish the editing structure. It's taken a while, but I think it's really benefited from a long gestation period, because I've been able to come at it with fresh eyes almost every time I return to it; a luxury rarely afforded with these sorts of things. I would say the main cuts are in the place, but it's a matter of figuring out how to fill the space with enough differing content so that it feels like the animation doesn't drag on or feel one-dimensional. The opening minute is much more refined now and is starting to feel complete as far as the editing goes. I'm trying to strike an interesting balance between it being a music video and a full on animated short since the whole animation is going to be about dramatic shifts and distortion. I'm sure you'd like to see a video, but at this point, the visuals in this edit are almost totally unrepresentative of what's going to be in the animation, so it's going to be a little while longer yet! 

Sunday, 22 June 2014

Owl: Marker Pen Sketches on Behance



Friday, 20 June 2014

Owl: Infrared Part 9

A bit of a junk roll, this one, so only a couple (some negatives got scratched up a bit as well). As fun as Infrared is, it's a hard film to use seriously because the results are so erratic and unpredictable. Once I'm done with what I've got left to finish for Owl, I'll be moving back to standard black and white and concentrating my efforts in improving my photography with more controllable situations. 



Wednesday, 18 June 2014

Owl: Infrared Part 8

While the weather is fairly decent, my main task is getting the photos I need for the animation.







Monday, 16 June 2014

Owl: Infrared Part 7

Some more True Detective looking stuff (though I took these before watching it). Infrared doing weird infrared stuff, means the inside is totally obscured by shadow, while everything is bright white. Thus it has this very bleached out and surreal/horror film quality. Any other time, I'd think it's an awful exposure. On this occasion, I'm thinking it's kind of interesting!







Sunday, 15 June 2014

Photography: Ferry Trip





Photography: Quiet Revellers

I find taking pictures of general public is really difficult. Much of it is in my head, but taking pictures of strangers in this day and age is made to feel like your indulging in some sort of perverted criminal act, even though it's a massive part of photography. For a little practice, I went down the to promenade on a week day, assuming that the people would be much too old to throw a good left hook. I am absolutely rubbish at taking pictures of people but it's something I hope to improve.



Saturday, 14 June 2014

Photography: Aquar'aile

In the mysterious land of our French neighbours, and their mysterious ways, there's a fine eating establishment built into a block of apartments. Said establishment has a rather massive excellently bold, retro sign adorned across it's facade. On a very clear day it's possible to see it across the Channel.