I wanted to push the rendering a bit. The last one was a 'one size fits all' kind of set up, but this one is a more refined. I'm not aiming for super-realism but I've also given the objects some texture to remove some of the CG-ness. I am however, going to keep the dramatic rim-lighting because it helps distinguish the model from the IR background.
Wednesday, 13 August 2014
Tuesday, 12 August 2014
Owl: Test Render 14:39
It's coming together. A still image can only show so much as it looks much more dynamic when moving. There's still a few bits I'd like to refine but it's all heading in the right direction.
Thursday, 31 July 2014
Owl: Static Match Scenes 12:39
It's been a hectic round here lately and what with not wanting to reveal too much, blog posts have been a bit scarce. One of the more time consuming tasks I've had to do is set up the photographs so that they're 'CG-ready.' This can be very simple such as only roughly positioning a 3D camera to fake a bit of perspective, or more complex scenes where I have to model certain elements of the photographs making sure the perspective is more accurate. The objects in these scenes are only placeholder and should be noted that because of the lack film grain, they look a bit too clean. I'll be working on reducing the CG-ness of them in production and post-production.
Saturday, 12 July 2014
Owl: An Update 11:47
It's been a little while since any updates as I've been sorting out a few loose ends. Firstly, I've finished up the modelling I need for the animation. At most I'll probably end up using 14 models, so that leaves a few spare. It's always good to have too many than too few and I can also squeeze in a couple more if needed, but honestly, there aren't too many more sketches which will translate well for use in 3D.
That's it for now. From here on out, it's all about the making of the final animation and I apologise if updates relating to this project aren't as regular as they usually are. At the end though, there will be a brand new short film (of some sort) to enjoy.
Please stay tuned!
Following this I've been doing material tests as all the previous lighting and materials have been placeholder. My aim is to give the models an otherworldly, mercury-like quality which can work alongside the infrared photographs.
Eventually looking something like this if you subtract the spheres and replace them with the models above:
The animatic is 95% complete. This has been a bit of a thorn in my side, but all the main cuts are now in place and there's a definite structure to the way the animation plays out. At this point I can just drop in sequences and not have to worry too much, which is always a good feeling.
I haven't found a reasonably quick but convincing method of making foliage move, but I have a good method of giving clouds some subtle movement. Overall, it might be enough considering the longest shot in the whole animation is three seconds.
I've noticed in films which use still photographs there's a slight 'jitter' where the film frames are fractionally moving side to side and up and down. This isn't a shakey-cam effect, but an actual property of the film transfer. You can see it quite dramatically in La Jetee. Playing around in After Effects and Premier Pro it becomes clear if the image stays perfectly still, then it ends up looking like a Powerpoint slideshow. Without this jittering, the frame looks far too clean and certainly not like film would normally look. I'll be applying a very subtle jitter in post. You can see the cloud effect and jitter in the video below:
Wednesday, 25 June 2014
The last infrared for a while. I feel like I've probably got enough, but won't know for sure until I starting piecing together the animation sequences.
(One proven fact. Sheep turds do not reflect much infrared light. Fascinating.)
Tuesday, 24 June 2014
Owl: Ink Animation Tests 21:51
These worked out better than the marker pens, and also much more cost effective.
Monday, 23 June 2014
Owl is going to include some short hand-painted animated sequences. These tests were done using marker pens, but I won't be continuing down this route, mostly because they ate up marker pens like nobody's buisness, and quite frankly, I'm not made of marker pens! However, I think can achieve as interesting effect and twice the mess using ink on paper instead. Ink on film may also be an option in the future.
Owl: Editing Progress 12:36
Over the last month or so, I've been chipping away at the animatic using placeholder video to establish the editing structure. It's taken a while, but I think it's really benefited from a long gestation period, because I've been able to come at it with fresh eyes almost every time I return to it; a luxury rarely afforded with these sorts of things. I would say the main cuts are in the place, but it's a matter of figuring out how to fill the space with enough differing content so that it feels like the animation doesn't drag on or feel one-dimensional. The opening minute is much more refined now and is starting to feel complete as far as the editing goes. I'm trying to strike an interesting balance between it being a music video and a full on animated short since the whole animation is going to be about dramatic shifts and distortion. I'm sure you'd like to see a video, but at this point, the visuals in this edit are almost totally unrepresentative of what's going to be in the animation, so it's going to be a little while longer yet!
Sunday, 22 June 2014
Friday, 20 June 2014
Owl: Infrared Part 9 23:33
A bit of a junk roll, this one, so only a couple (some negatives got scratched up a bit as well). As fun as Infrared is, it's a hard film to use seriously because the results are so erratic and unpredictable. Once I'm done with what I've got left to finish for Owl, I'll be moving back to standard black and white and concentrating my efforts in improving my photography with more controllable situations.
Wednesday, 18 June 2014
Owl: Infrared Part 8 11:49
Monday, 16 June 2014
Owl: Infrared Part 7 10:24
Some more True Detective looking stuff (though I took these before watching it). Infrared doing weird infrared stuff, means the inside is totally obscured by shadow, while everything is bright white. Thus it has this very bleached out and surreal/horror film quality. Any other time, I'd think it's an awful exposure. On this occasion, I'm thinking it's kind of interesting!